Director: Justin Kurzel
Writers: Jacob Koskoff,
Michael Lesslie, Todd Louiso (screenplay) based on the play by
William Shakespeare
Seen: 3rd of October
Venue: IMC Galway
Snacks: Munchies (not as nice as they used to be)
Mood: Shakespearian
When I saw Justin Kurzel first
feature The Snowtown Murders (2012) I was blown away. A film based on the
shocking true events of a serial killer in Australia, it bore the marks of a new
brave director, as scene after scene pushed the audience to the edge. My view at
the time was to keep an eye out for his next venture but I presumed he would
continue to make contemporary realistic films. So when I found out he was to
direct Macbeth I was a little surprised but then excited. The excitement came
from an anticipation to see how such a creative director would present one of Shakespeare’s
most popular plays visually and cinematically. My excitement grew even more
when I heard the cast – Michael Fassbender as Macbeth, Marion Cotillard as Lady
Macbeth, Paddy Considine as Banquo and David Thewlis as Duncan
.
Macbeth is the story of a
Scottish warrior (Macbeth) who becomes King by means of killing his predecessor
(Duncan) and how his mind then deteriorates as Macbeth himself describes “my mind
is full of Scorpions”. The interesting thing about Kurzel’s interpretation is you
really get a sense of the harshness of that time and the mental state of a man
who struggles with his very existence. Kurzel and Fassbender say that they saw
Macbeth as having post-dramatic stress disorder, which makes sense for a man
who was both battled hardened and war weary.
So did it live up to my excitement?
In short yes, well at least in cinema terms - it is simply a sublime adaption. However,
Shakespeare is a hard sell sometimes, predominately because the
language/dialogue does require a considerable amount of concentration. Macbeth
is visually powerful and the performances are all top shelf especially by
Cotillard and Fassbender and if you can manage the difficult dialogue it is
certainly worth seeing.
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