Week 29: Minions

Director: Kyle Balda, Pierre Coffin

Writer: Brian Lynch

Seen: Sunday 26th July

Venue: IMC Galway

Snacks: Sandwiches

Mood: Silly

Minions is of course the spin off from the Despicable Me films, which in my opinion are better and more entertaining films. Oh fuck this who am I kidding? Minions is a kids film that is funny and charming and I’m damned if I am going to critique it, if you have young sons, daughters, nieces or nephews or, if you are like us and you just want to relax and look at some ridiculous animated fun for 80 minutes then go and watch Minions. Or as my Minions friends would say “nodish  haf  ouaoiuf lakho  njah of aoojw ohua”.  

Week 28: Ted 2

Writer/Director: Seth McFarlane

Seen: Saturday 18th July

Venue: Eclipse Cinema, Bundoran

Snacks: Sandwiches

Mood: Giggly

For the FIRST time ever for either of us we went to see a film and were the only people in the cinema. I like to think we can say that we got our own private screening of Ted 2.

Ted 2 follows on from the original Ted (2012) and in this instalment (there will inevitably be a Ted 3 which will be really stretching the laughs) we see Ted  married to Tami-Lynn (Jessica Barth) they are having a few marital difficulties and decide to adopt a child (the best way to fix a marriage - RIGHT?)  however they run into difficulties when Ted is not considered a human being and therefore cannot adopt. Ted is outraged and hires Samantha (Amanda Seyfried) to be his lawyer to fight for his right to be considered a person in the eyes of the law.

Ted 2 is not going to blow you away but then you weren’t expecting to be. We went to see it with a touch of a hangover which definitely added to the giggle factor. The film is pretty funny definitely not as good as the first film but I have to take my hat off to Mark Wahlberg who delivers a couple of very funny deadpan one liners

There are various celebrity cameo’s - one with Liam Neeson which I struggled to understand, maybe I missed something there?

All in all Ted 2 is a decent enough comedy for a rainy Saturday afternoon :) ESPECIALLY if you are the only two in the cinema.

Week 27: Everyone's Going to Die

Director: Jones

Writer: Jones

Seen: Wednesday 8^th July

Venue: Silver Screen Cinema Folkestone, Kent England

Snacks: Revels

Mood: Enthused

Ok so we started this blog because of a challenge we set ourselves to go the cinema once a week for a year no matter what! Now there are a few obstacles, or to put another way, head wrecking elements to this challenge. The two main ones being cost and the lack of good films we often have to choose from. These two head wrecks are also interconnected because of the fact of paying to see films we did not particularly want to see e.g Week 12 – 50 Shades of Grey and Week 25 – San Andreas.  Nevertheless, overall the experience so far has been enjoyable but this week has been especially gratifying. What was even more encouraging was, if it were not for this challenge we would unlikely have visited an old school vintage cinema like we did.

Even though we were in England for a bit, due to our commitment to the challenge we were still going to go to the cinema. While in London last week it was pretty easy to find a cinema, but when we moved on to Folkestone we had to do a little digging to find out where it was, times etc (and when I say digging I really mean go on the internet for all of 5 minutes - oh the woes of this tech age) and what we found was a little gem.

The Silver Screen Cinema is a two screen independent cinema that gave me the feeling that I was stepping back in time, from the old style sweet counter to the red curtain that draped over the smallish screen. To the black and white pictures hanging in the actual screening room from classic films like The General (1926) and also of some of cinema’s pioneers like Charlie Chaplin, Humphrey Bogart and Greta Garbo.

It was refreshing to visit a cinema of vintage style instead of the replicated Cineplex’s that are ubiquitous, the Odeon in Putney (where we saw Amy the previous week) is no different to the IMC Galway or Cineworld on Parnell Street Dublin. The Silver Screen in Folkestone is the opposite of those, it has character and that extensively adds to the cinema going experience.

It was a buzz to feel what it must have felt like for cinema goers in the early days when there was no sound, no colour, no Netflix or torrents when going to cinema was a big event. Ok maybe I am going too far, but for some of you who read this you will know what I mean. The cinema of which I put some pictures up below is able to survive due to local community support and long may it last.

Now to add flavour to the treat of going to this cinema, the film we watched was made in the very place where we were sitting because Everyone's Going to Die was shot entirely in Folkestone. It is the story of two people who randomly meet, connect and help each other realise that they have to make changes to their lives, both realising that they have been unhappy for some time. Written and directed by Jones, which as far as I can find out is a collective of filmmakers that are anonymous.

The title at first led us to think that it was some sort of apocalyptic horror or comedy horror but it was nowhere near any of these, indeed it is very hard to actually describe what this film is. At times it is laugh loud funny, it’s also romantic and very dark, but for all the elements it has I think it was relatively well kept together structural and narratively. Everyone’s Going to Die is a pretty decent film and it will get you talking after it, but I am afraid this week the film was definitely upstaged by the cinema we watched in. So if you ever find yourself in Folkestone go to the Silver Screen Cinema.    

Week 26: Amy

Director: Asif Kapadia

Seen:     3rd July 2015

Venue:   Odeon Cinema Putney UK

Snacks:  Magnum

Mood:     Melancholic

“Slow down, you’re too important. Life teaches you how to live it if you live it long enough”

Tony Bennett

I remember exactly where I was and what I was doing when I heard about the death of Amy Winehouse and I recall vividly that it was not a shock. It was news that was in some way horribly inevitable after photo after photo of her appeared in the media skeletal, wild eyed and fragile. It was obvious to see that this was a woman who needed help and did not need the press hounding her lasciviously for increasingly disturbing pictures. Unfortunately for Amy her talent was such that she wasn’t able to just do what she loved. Instead she lived her life under a microscope constantly harangued by the paparazzi who seemed to take a sick glee in watching her downward spiral into addiction.

I had heard a lot of great things about ‘Amy’ directed by Asif Kapadia who also directed the very good ‘Senna’ (2010). This film follows Amy’s rise to meteoric fame and is very powerful as it is literally full of home video footage of her, we inhabit her world for a few hours and see her start on the dark path of self destruction. ‘Amy’ is not a traditional ‘talking heads’ style documentary but rather uses an immersive technique  of voice overs from friends, colleagues and family. This style combined with all the personal footage is entirely and utterly absorbing.The story is of course very very tragic and some parts of it are very hard to watch as Amy becomes more erratic and sad. On the other hand you really feel the pure originality of her music and lyrics which in a way balances out the sadness.

At one point Amy states ‘If I ever thought I was famous I would kill myself’ and in a way she did.

It reminded me a lot of the Kurt Cobain story, another vulnerable individual that could not handle the trappings of stardom.

Amy’s relationships with her father Mitch and her one time husband Blake Fielder Civil come under close inspection and there is no doubt that her relationship with Blake in particular was extremely toxic. The first time he left her to go back to his girlfriend spurred Amy to pen the highly personal ‘Back to black’ it raises the interesting question if she hadn’t have experienced that break up would we have ever heard that album? So, although Blake undoubtedly initiated her into the world of hard drugs, it is a sad irony that her best music came about because of her relationship with him.

Of course Blake and Amy reunited and eventually got married. I was left to wonder about his intentions - did he truly love Winehouse or did he love the fame? I will leave that for you to decide for yourselves.

Her relationship with her father Mitch was also a tricky one, she clearly idolised him but in turn he made some very curious choices - one example is him following her to her retreat in St Lucia with a film crew in tow, the very thing she was running from.

The documentary is brilliant, gripping and truly tragic.It highlights the dark grip of addiction and what can happen when this is played out in the public eye.

There were obviously various elements that led to the untimely death of Amy Winehouse but as I left the cinema the thought that struck me most was that the media have a lot to answer for.

Week 25: San Andreas

Director: Brad Peyton

Writer: Allan Loeb, Chad Hayes, Carlton Cuse, Carey Hayes

Seen: Sunday 21st June

Venue: IMC Galway

Snacks: Ice Cream

Mood: Shaken not stirred

You’ve got to hand it to Dwayne Johnson he has successfully transitioned from world famous wrestler to Hollywood blockbuster actor. However, without belittling what Johnson has done and without denying the huge charisma that he has, it arguably isn’t much of transition, especially when he is in films like San Andreas. San Andreas, like wrestling is totally over the top, unrealistic and predictable.

There are good things about this film, for example some of the CGI is impressive, but this is heavily outweighed by bad things especially the clichéd story line. Why can’t we have a disaster film that there isn’t a happy ending to? A disaster film where the world does actually end, now there’s a novel idea, not that I am sadist but it would be refreshing.

Look, San Andreas does what it says on the tin, it’s a popcorn, clichéd, action filled film that you don’t have to think too hard about and much like in a wrestling match, while the bad guy (bad guy in this case is an Earthquake) might win for a while the good guy always wins out in the end.

PS please let there be some good new releases next week *criesintohankie*

Week 24: Jurassic World

Director: Colin Trevorrow

Writer: Too many to name, on IMBD there are 7 accredited writers

Seen: Sunday 14^th June

Venue: IMC Galway

Snacks: Kinder Chocolate mmmmm

Mood: Nostalgic

 

Over the last week or so I feel like I have been transported back to my youth, let me explain. At the weekend I watched an episode of TFI Friday as familiar host Chris Evans came back to our screens and introduced guests such as Blur and Liam Gallagher. Then during the week Jeb Bush announced he was running for POTUS, as will another familiar name Mrs. Hillary Clinton, Bush v Clinton for President. Then to top my time travelling exploits off I went to the cinema to watch Jurassic World.

It is 22 years since Jurassic Park first came to the big screens and I would like to say I remember it well but at 14 my interests in dinosaurs had dwindled. I was hitting my rebellious teenage years and was far more interested in watching films like Reservoir Dogs (1992) and Pulp Fiction (1994) so I could have something cool to talk about while I smoked a cigarette at the back of the bike sheds at school.

Jurassic World is set 20 years after the original and the theme park that John Hammond (Richard Attenborough) wanted to create in the first outing is now a reality. Jurassic World is located in Costa Rica where thousands of visitors travel to every day to see the many different species of dinosaurs. The sun is always shining the grass is bright green and the punters are as joyfully happy as the dinosaurs they are visiting. What could possibly go wrong? Indominus Rex that’s what.

Indominus Rex is the new genetically modified super dinosaur that is about to wreak havoc on the idyllic Jurassic World. Enter Owen (Chris Pratt) and Claire (Bryce Dallas Howard) to save the day, you can fill in the rest. Jurassic World kept us entertained for 100 minutes or so and if you have young kids, nieces or nephews it would definitely be a nice treat.

Week 23: Spy

Writer/Director: Paul Feig

Seen: Sunday 31st May 2015

Venue: IMC Galway

Snacks: Biscuits

Mood: Giggly

Comedy film is a hard genre for me. I love a good laugh but it takes a pretty funny film to access my funny bone and actually have me laughing out loud. For example, I laughed A LOT at director  Paul Feig’s previous film  ‘Bridesmaids’ (2011) but I did not laugh much during ‘The Heat’ (2013) so we went along not really expecting too much from his latest offering ‘Spy’

The film follows Susan Cooper (Melissa McCarthy) who trained as a fully operative CIA agent but now finds herself desk bound and an aid to her partner Bradley Fine (Jude Law), she works as his eyes and ears behind the scenes. When Fine and his rival in the field  Rick Ford (Jason Statham) are compromised Susan offers to go undercover to prevent a nuclear missile falling into the wrong hands. Cue a whole heap of double agents and high speed car chases as you would expect.

One of the highlights of this film for me was, to my surprise Jason Statham aka Rick Ford he plays the tough (but rather incompetent) CIA agent with brilliant deadpan aplomb. The one liners delivered with regard to how tough he is are just brilliantly ‘OTT’ ‘I once had my arm ripped off and then had to sew it back on with my other arm’. Statham is perfectly cast in this role and obviously is not afraid to poke fun at his own previous roles. The chemistry between himself and McCarthy is perfect and the scenes when they are together are some of the best in the film.

I have read a lot of reviews about this film complaining about ‘cheesy acting’ and ‘predictable plotlines’ but I dont think this film was ever out to win oscars for its incredible storyline or unbelievable portrayals. This film is what it is, it’s a light hearted comedy that makes you laugh for a few hours and then you forget it. It actually made me laugh a lot more than I thought it would and for once not all the laughs are in the trailer.